Saturday, May 24, 2014

Catalogue Essay

The boycott was in the limelight for a few weeks, which was effective in drawing public attention to the issues of corporate involvement in mandatory offshore detention and arts funding arrangements. However, though ties between the Biennale and Transfield were severed, there has been no significant impact on the government’s treatment of refugees or corporate involvement in detention centres as a result of the protest. Further, the Biennale continued as planned, with most if the boycotting artists choosing to exhibit following the severing of ties. In fact, some of those artists were the worst affected by their own actions, given their artworks have lost impact after last minute installation arrangements left them hidden away and poorly presented.

It is our belief that it is through artworks that perspectives can be altered and real change can be inspired. The exhibition will focus on the issue of asylum seekers by exhibiting artworks that draw attention to the treatment of persecuted and displaced persons in the context of political unrest, war, or detainment. It is important for people in first world countries such as Australia not to brush these issues aside and forget that refugees are humans with rights, families, and aspirations that deserve to be protected.

Do You See What I See? will showcase art that creates new perspectives. The artworks will open visitors’ minds to an important alternate reality, where humans are living in war torn areas, where humans are persecuted to the point where fleeing their country is their only hope for survival, where humans are detained indefinitely in the process of seeking asylum in a country like Australia.

The exhibition will seek to present a sympathetic perspective, highlighting an unpleasant alternate reality that is simultaneously occurring alongside our first world reality of safety and security. Do You See What I See? will implore visitors to look beyond their local context, establishing a more comprehensive global perspective that takes into account the reality of persecuted and displaced persons.

Do You See What I See? allows a selection of international artists to share their unique perspective, whether they protested the 18th or 19th Biennale of Sydney or have first hand experience of a war zone or have lived through civil unrest. These artists will share artworks that explore their passion for the cause of refugees and their opinions about displacement, persecution, and political unrest.

During the recent controversy surrounding Transfield and the 19th Biennale of Sydney, a number of commentators and politicians, such as Minister Malcolm Turnbull and Senator George Brandis, were quick to deny that the artists’ challenge to both the Biennale and the Australian government policy would have any effect. Our exhibition prioritises and showcases the use of art to convey meaningful perspectives, giving these artists a chance to convey messages through their art, rather than simply creating controversy. The exhibition will aim to alter visitors' thinking, open their eyes to situations not only on our shores but around the world, and hopefully plant seeds for change.

We are unfortunately confident that the issue of the treatment of asylum seekers will not be resolved in two years time, and we hope the exhibition will be relevant and impactful given the next federal election is due in 2016.

Alex Seton

  • Sydney based Australian sculpture artist

  • Recently working with marble carving, subverting the traditions of the material to create surprising sculptures that are visually deceptive

  • His sculptures use a traditional material to memorialise explorations of nationhood and security

Libia Castro and Ólafur Ólafsson


  • Based in Rotterdam and Berlin
  • Multidisciplinary collaboration formed in 1997
  • Creation of situations and experiential environments, interventions, sculpture, video and photography
  • Often collaborate with other people; groups, individuals and other artists, including the Refugee Art Project
  • Focus on spatial, conceptual, social and political questions
  • Deconstructing the notion of nationality, in highlighting matters of labour, migration, identity and citizenship, and the connected themes of belonging and exclusion
  • They wish to sensitize perception, raising existential and critical questions on labour, socio-economical inequalities, migration, identity, decision-making, urban space and how globalization affects society and peoples life

Ahmet Öğüt


  • Turkish artist living and working in Amsterdam, Berlin, and Istanbul
  • Conceptual artist working across a broad range of media including video, photography, installation, drawing and printed media
  • Examines everyday happenstance, modes of behaviour and informal gestures which bear witness to broader global social and political structures
  • Employs a dark yet empathetic sense of humour to provoke political consciousness
  • Boycotted 19th Biennale of Sydney but decided to exhibit after ties with Transifeld were severed

Van Thanh Rudd


  • Born in Nambour QLD, of Vietnamese descent
  • Visual artist and left-wing political activist working in Melbourne since 1995
  • Works in multiple mediums, including installation, drawing, collage, painting, and performance
  • Recently has been creating works with packaging materials and human clothing to create sculptural installations of human forms in political contexts
  • Protested the 18th Biennale of Sydney

Azlan Mclennan


  • US artist and socialist activist based in Melbourne
  • Art known for left-wing political content
  • Subject of considerable debate and media attention
  • Works with installations and the readymade
  • Protested 18th Biennale of Sydney

Charlie Sofo

  • Born 1983, Melbourne, Victoria; lives and works in Melbourne
  • Boycotted the 19th Biennale of Sydney and was unable to exhibit after ties with Transfield were severed due to other commitments
  • Documents arbitrary everyday findings and happenings that are often overlooked
  • Characterised as an urban explorer, voyeur, collector, categoriser, and flaneur
  • Amasses images, sounds, symbols into a body of evidence that forms an artwork

“My practice has something to do with the interface between objects and people. I like maps and books and taking photos and collecting materials.”